![]() ![]() In this case, however, the bookseller had reproduced the text side as well, so we could tell for sure that this miniature was from our manuscript. ![]() Generally, it is very difficult to definitively identify miniatures from the Ege manuscripts, since they were sold separately from the text leaves that are found in portfolios and often are framed so that the text side is not visible, making it quite difficult to determine if the miniature came from the target manuscript. ![]() Both of these are rare and important finds for an Ege manuscript. She found several, including a calendar page at Dartmouth College and a miniature that was recently sold by the Manhattan Rare Book Company. One of my students took extraordinary initiative and spent hours searching the internet to try to find more leaves. I did some as well, so that we could work with as many leaves as possible. Some of the students were so enthusiastic about the project that they catalogued more than the one leaf originally assigned to them. They had to use online resources such as the Hypertext Book of Hours to identify the text on their leaf, and then catalogue the leaf using the Fragmentarium database. 31 in the Ege portfolio, “Fifty Original Leaves from Medieval Manuscripts.” Each of my fourteen students was assigned one leaf from one of the known portfolios (such as the leaf at Stony Brook University, shown at right) to research and catalogue. 1430 Book of Hours from France whose leaves became no. 31Īs always, the final project for my class this semester was a digital reconstruction of one of the Books of Hours dismembered by Otto Ege in the first half of the twentieth century. Stony Brook University, “Fifty Original Leaves from Medieval Manuscripts,” no. ![]()
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